Read Shubeik Lubeik by Deena Mohamed, a graphic novel in translation from Arabic, set in a world where wishes are real, and regulated, commodities, but most people can only afford sketchy third-class wishes; in Cairo, Egypt, a small neighborhood kiosk with three genuine, first-class wishes for sale changes three lives - a recent widow barely scraping by; a wealthy student struggling with depression; and the kiosk's owner - for better or worse. Clever world-building, with interludes between the three volumes/chapters(?) in the form of world-building infographics and an eye to the way inequality could/would still exist in a world where, theoretically, anyone could wish themselves rich, to solve world hunger or for world peace, etc. (The short answer is who has access to wishes as a resource, on both an individual level and, e.g., which countries have the raw resources vs. the corporate headquarters, a la the history of extractive colonialism.)

Read Hooked by Asako Yuzuki, a contemporary Japanese novel about a budding friendship between two socially isolated thirty-year-old women - an office worker and a homemaker blogger - that quickly grows toxic; picked this up at osprey_archer's recommendation. From the description, it seems like the plot should be "Misery, but about a parasocial relationship with a social media personality," and might have been more satisfying if it was, but actually I found it most interesting when the two women's storylines ran in parallel, exploring themes of, like... to what extent is any given interaction with someone else a matter of performing the version of yourself that they expect...? And, like, the extent to which other people can have such different worldviews - not even in a political or religious sense, but just, a way of approaching things - that when trying to interact they both just end up baffled. (Speaking of which, I did find the recurring, and perhaps overall, theme of Gendered Expectations in Friendships utterly baffling myself— I think it is to some extent reflective of a cultural difference, but I have definitely encountered the American version of this online in terms of, like, she's a girl's girl! or POV your boyfriend's pick-me girl friend and it always makes me feel like a space alien.) ANYWAY. Shades of Ottessa Moshfegh and Halle Butler, which is to say I found this deeply off-putting but couldn't put it down. ( ... )

It is officially LIBRARY USED BOOK SALE SEASON; I acquired a box set of Susan Cooper's The Dark Is Rising series from the one I went to last weekend, so I guess I will finally get around to reading that. As 2025 was the Year of Twelfth Night, 2026 really is shaking out to be the Year of As You Like It, because I also stumbled across and acquired a copy of Rosalind: Shakespeare's Immortal Heroine by Angela Thirlwell, a self-described "biography" of the character through interviews with actors, directors, etc.